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Vous avez sélectionné:
Delay double bass
Partitions à imprimer
3 partitions trouvées
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1
Delay - double bass
Delay - double bass
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Ensemble Jazz
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Jazz
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Chris Abelen
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drums]
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Delay - double bass
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Chris Abelen Music Productions
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.1014101 Composed by Chris Abelen. Jazz. Score and parts. 3 pages. Chris Abelen Music Productions #6327851. Publish...
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Jazz Ensemble Jazz Ensemble - SKU: A0.1014101 Composed by Chris Abelen. Jazz. Score and parts. 3 pages. Chris Abelen Music Productions #6327851. Published by Chris Abelen Music Productions (A0.1014101). From the album A day at the office Delay. Delay is written for a jazz septet [trumpet, alto sax, trombone, bass clarinet, electric guitar, bass & drums]. Guitar solo. Delay can be heard on Chris Abelen - A day at the office [CAMP 006] and Chris Abelen - Live at the BIM [CAMP 009]. Free minus one tracks of the studio recordings of A day at the office are available at www.chrisabelen.com - Albums on all major streaming services https://ffm.to/adayattheoffice - https://ffm.to/liveatthebim
$1.99 ≈
1.86€
Frayed End
Frayed End
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Piano seul
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AVANCÉ
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Contemporain
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Paul Burnell
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Frayed End
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Paul Burnell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.835809 Composed by Paul Burnell. 20th Century,Contemporary. Score. 5 pages. Paul Burnell #3602773. Published by Paul Burn...
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Piano Solo - Level 5 - SKU: A0.835809 Composed by Paul Burnell. 20th Century,Contemporary. Score. 5 pages. Paul Burnell #3602773. Published by Paul Burnell (A0.835809). Frayed End, composed by Paul Burnell in 2000.For amplified piano with echo effectDuration 4:45The piano should be amplified and the sound output processed with a delay/echo effect (four repeats) spaced at the quaver. At crotchet = 126bpm this is equivalent to a delay of 230 milliseconds. Each echo should be slightly quieter than the last but clearly distinct.The performer/sound engineer should feel free to experiment with the spatial location of the original amplified sound and each delay. However, sounds should not be spaced in any way that fragments the combined rhythmic 'flow'.The piece may be played on an electronic keyboard instrument, and the left hand part may be played/doubled with a bass sound such as electric bass guitar.Programme note:'Frayed End' was composed by Paul Burnell in 2000. It is for amplified piano with an echo effect. A recorded version of the piece appears on the album 'Leaving the Party on Pluto'.
$1.99 ≈
1.86€
One Second to the Future - Guitar Orchestra
One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille • “One Second to the Future” is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system. • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics. • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C” as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad. • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away. • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides. • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.” At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement. Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required. To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00 ≈
70.00€
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Delay double bass
